Trinary is a mini-comic done by my good comics friend (and often table buddy at conventions) Ben Wright-Heuman. That said, I’m going to be as objective as I can for this review.
This is one of those comics that you can only get directly from the artist, either at a convention or through his website. So is it worth getting this rare gem?
Let’s do a review.
Trinary is the story of an art robot – a robot specifically designed to make art. However, all the art is rather…same-y. This is largely due to their programming, which shows the robots’ world as black and white.
But one day, there’s a glitch in the scheduled night-time upgrade. The art robot gets a download of a new program that allows him to see 0s, 1s, and 2s.
And that’s when he starts seeing color.
Not expansive color: the only color used in this comic is orange. But it’s with this color that the art robot starts to see and paint the world differently. With this new ability, though, he’s pursued by the regulators of the art factory, who want to get him back to standard programming as quickly as possible.
The Reviewer’s Thoughts
After thinking about Trinary for a while, what struck me as an apt comparison to this comic is Asterios Polyp by David Mazzucchelli. Both comics have points-of-view shift, and they show this by using monochrome colors. Asterios Polyp gets really wild in comparison to Trinary, though, because Asterios also shows points-of-view with some views getting grids, some views getting bold lines seen in graphic design, and some views colored in one tone with hatching techniques.
Trinary, by comparison, doesn’t go as wacky as Asterios, but that’s only because Trinary’s scope is more limited. It’s a mini-comic about an art robot seeing the world differently. Asterios is a thick book more comparable to The Odyssey in its subject matter.
That said, Trinary does fall somewhat into the “confusing” category for me mid-way through the story. About mid-way through, we the reader see the robot fleeing the regulators…and then, on the next page, we see the robot painting a canvas. Did the robot run into the warehouse to hide and just start painting? There’s no clear transition for that scene.
“But wait!” you might argue. “What if all the robots look the same?! It could have been a different robot running away!” Well the robots are numbered. And we know which robot got the upgrade. So that doesn’t apply here.
That was the only moment of confusion for me regarding this comic. After that moment, the plot gets back on track and things make sense.
Without spoiling anything, I will say… the vendetta ending was a nice touch.
There are two more details about this comic that I feel are worth mentioning, if only from the angle of a craftsman:
- The entire comic is wordless.
- The physical copy of this minicomic has orange wire binding.
If you appreciate the finer details of a comic and how they can bundle together into one package, give Trinary a go. I say it’s worth a shot.
That’s all for now. Thank you for reading!
You. Are. Awesome.